Moments of reflection dedicated to innovation. Moments of reflection dedicated to innovation. Moments of reflection dedicated to innovation. Moments of reflection dedicated to innovation.
Why Videocittà 2024?
Alessandro Luna will be the the main character of a funny ed irreverent 2 hour non-stop AI marathon in the social sphere, in a talk that will show the operation of artificial intelligence for the creation of content in real time starting from a suggestion given by the artists or the public.
Bar Luna guests
5th July
Francis Marino
Journalist, digital strategist. He writes about digital culture, social media and artificial intelligence, in particular on Today and Italian.Tech. I wrote a book on algorithms, “Chosen for you. How algorithms govern our lives and what we can do to defend ourselves." On Instagram @pillolefuturopresente.
Franz Rosati
Franz Rosati is an artist who creates his artistic production through customized digital technologies, software and programming environments for the generation of sounds, AI, moving images and 3D environments. His projects have been featured on the most important digital art platforms such as Sedition, Artpoint, NIIO, ReasonedArt, FRM. He is also involved as a teacher of Multimedia at the Vivaldi Conservatory of Alessandria, and of Sound and Media Design at the IED European Institute of Design in Rome.
Eugene of Fraia
Actor and videomaker, he graduated in Communication Psychology and then dedicated himself to directing and acting studies at the Centro Sperimentale di Cinematografia in Milan and then in Rome. Among the main experiences, participation as assistant director in Paolo Virzì's film Il Capital Humano (2012) and the creation of the video for Mina's song "Abban-dono" made with artificial intelligence.
Pier Luigi Pisa
He works as a journalist, author and content creator for La Repubblica and for the GEDI Editorial Group. He writes daily about artificial intelligence and is also involved in designing, writing and producing video content for Repubblica TV with a role of responsibility and coordination. For Repubblica TV, among other things, he wrote and created numerous original formats, including "Scatti al futuro", a series on the most epic tech photos of the past, and "Being Elon Musk", a web series of 25 episodes on most controversial entrepreneur and innovator on the planet.
6th July
Serena Tobacco
She is the Director and Co-Founder of MoCDA, Museum of Contemporary Digital Art, born in London in 2019. She worked at the TATE Modern and Britain in London and was curator of some of the very first international NFT exhibitions, fairs and events, such as NFT London, CADAF and CI Bloom. She carries out curatorial activities and promotes digital art and new technologies education in public events and academic seminars.
Rebecca Pedrazzi, art historian and critic specialized in AI Art
Rebecca Pedrazzi, art historian and critic with focus on AI Art, curator and author of the book “Possible Futures. Art Scenarios and Artificial Intelligence”. She is a curator, journalist and director of newsarte.com and holds dedicated lectures, conferences and webinars on the topic of AI & Art. She is a member of the Gallery Climate Coalition (GCC) and collaborates with the AINEM Neuromarketing and Metaverso Department and with the European Institute of Design (IED).
Debora Hirsch, Visual Artist
He has participated in numerous exhibitions in Italy and abroad in prestigious museum institutions and art galleries. He mainly deals with themes related to nature. His current research concerns endangered plants. In exploring the intricate link between humanity and nature, his work highlights the imperative need to preserve biodiversity. Through the PLANT project by artist Debora Hirsch, endangered plant species are recreated using Artificial Intelligence and subsequently recorded in a permanent and non-manipulable archive in the blockchain, remaining as a symbolic archive of what we risk losing.
Chiara Passa, multimedia artist
Multimedia artist, Rome 1973. My artistic research – part of the revival regarding immersion in art that began around the mid-XNUMXs – analyzes the subtle differences of virtual spaces through a variety of techniques, technologies and devices. I use virtual reality, augmented reality and artificial intelligence as artistic media to explore architecture and make it a vibrant interface.
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© Videocittà 2024
© Videocittà 2024